Ma, Yan2025-09-242025-09-242017Barthes, R. (1984). From work to text. In Walls, B. (Ed.), Art after modernism: Rethinking representation (pp. 169-174). New York: The New Museum of Contemporary Art. Benoit, G. (2019). Introduction to information visualization: Transforming data into meaningful information. Lanham, MD: Rowman & Littlefield. Benjamin, W. (1968). The work of art in the age of mechanical reproduction. In Benjamin, W. (Ed.), Illuminations, (pp. 217-251). New York: Schocken Books. De Saussure, F. (1959). Course in general linguistics. New York: McGraw-Hill. De Vaney, A. (1987). Reader theories and educational media analysis (ERIC Document Reproduction No. ED 285 526) De Vaney, A. (1991). A grammar of educational television. In D. Hlynka & J.C. Belland (Eds.), Paradigms regained: The uses of illuminative, semiotic and postmodern criticism as modes of inquiry in educational technology: A book of readings (pp. 241–280). Englewood Cliffs, NJ: Educational Technology Publications. Derrida, J. (1976). Of grammatology (G. Spivak, trans.). Baltimore, MD: Johns Hopkins University Press. Eco, Umbert. (1976). A theory of semiotics. Bloomington: Indiana University Press. Fish, S. (1980). Is there a text in this class: The authority of interpretive communities. Cambridge, MA: Harvard University Press. Fish, S. (1980). Interpreting the Variorum. In J. Tompkins (Ed.), Reader-response criticism: From formalism to post-structuralism, (pp. 164-184). Baltimore, MD: The Johns Hopkins University Press. Fiske, J., & Hartley, J. (1978). Reading television. London: Methuen. Ford, M. (2015). The Rise of Robots. Brilliance Audio; MP3 Una edition Hall, Stuart (1973). Encoding and Decoding in the Television Discourse. Birmingham: Centre for Contemporary Cultural Studies. Ingarden, R. (1973). The literary work of art (G.G. Grabowicz, trans.). Evanston, IL: Northwestern University Press. Iser, W. (1978). The act of reading: A theory of aesthetic response. Baltimore, MD: Johns Hopkins University Press. Iser, W. (1980). The reading process: A phenomenological approach. In J. Tompkins (Ed.), Reader-response criticism: From formalism to post-structuralism, (pp. 50-69). Baltimore, MD: The Johns Hopkins University Press. Jauss, H.R. (1982a). Aesthetic experience and literary hermeneutics. Minneapolis, MN: University of Minnesota Press. Jauss, H.R. (1982b). Toward an aesthetic of reception. Minneapolis, MN: University of Minnesota Press. Jencks, C. (1989). What is post-modernism? (3rd ed.). New York: Academy Editions. Ma, Y. (1993). A reader-response analysis of “A book from the sky—A postmodern educational enterprise.” Doctoral dissertation, University of Wisconsin–Madison. Ma, Y. (1999). Visual information science: its need and place in the curriculum of library and information science education. In Griffin, Robert .E., Gibbs, William J., and Weigmann, Beth. (Eds.). Visual Literacy in an Information Age (pp. 235-239), Blacksburg, VA: The International Visual Literacy Association. Ma, Y. and Diodato, V.. (1999). Icons as visual form of knowledge representation on the World Wide Web: A semiotic analysis. In Woods, Larry. (1999). (Ed.). ASIS’ 99 Proceedings of the 62nd ASIS Annual Meeting Washington, D. C. October 31 – November 4, 1999. (pp. 181-193). Medford, NJ: Information Today, Inc. Ma, Y. (2002). A design analysis model for developing World Wide Web sites. Journal of American Society for Information Science, 53 (7): 531-535. Ma, Y. (2004). The visible and the invisible: media and race in China. Globalization: Visible vs. invisible- the Theory and Practice of Visual Culture. The First International Research Symposium on Visual Culture Communication in China, (pp. 290-294). Ma, Y. (2006). Visual literacy: Reading the film “Crouching Tiger, Hidden Dragon.” In Griffin, Robert .E., Cowden, Belle Doyle, and Avgerinou, Maria. (Eds.) Imagery and Artistry animating the Mind’s Eye: Selected Readings of the International Visual Literacy Association.(pp. 141-146). Blacksburg, VA: The International Visual Literacy Association. Ma, Y. (2006). Visual Literacy: A Semiotic Analysis of Icons as Visual Information Representations on Library Homepages in Guerrero-Bote, Vicente P. (Ed.) Current research in information sciences and technologies multidisciplinary approaches to global information systems. (vol. II, p. 457-461). Open Institute of Knowledge. Ma, Y. (2013). Chinese Hollywood—Through the Lens of Visual Literacy in The 2013 annual proceedings selected research and development papers presented at the Annual Convention of the Association of Educational Communication and Technology, October 29-Novermber 2, 2013, sponsored by the Research and Theory Division, p. 507-517. Mailloux, S. (1982). Interpretive conversations: The reader in the study of American fiction. Ithaca, NY: Cornell University Press. Marshall, B. K. (1992). Teaching the postmodernism: Fiction and theory. New York: Routledge. Moore, D. and Dwyer, F. (1994). Visual Literacy: A Spectrum of Visual Learning. Englewood Cliffs, NJ: Educational Technology Publications. Nichols, B. (1988). The work of culture in the age of cybernetic systems. Screen, 29 (1), 22-46. Peirce, Charles S. (1958). Values in a universe of chance: selected writings of Charles S. Peirce. Garden City, New York: Doubleday. Pettersson, R. (2006). Research in information design. Journal of Visual Literacy, 26(1), 77-88. Pettersson, R. (2002). Information design, an introduction. Philadelphia, PA: John Benjamins Publishing. Pettersson, R. (1997). Verbo-visual communication: Presentation of clear messages for information and learning. Goteborg, Sweden: Valfrid Publishing Association and Goteborg University. Tompkins, J. (Ed.). (1980). Reader-response criticism: From formalism to poststructualism (pp. 164–184). Baltimore, MD: Johns Hopkins University Press. Tufte, E. R. (2001). The Visual Display of Quantitative Information, 2nd ed. Cheshire, CT: Graphics Press. ISBN: 0961392142 Tufte, E. R. (1990). Envisioning Information. Cheshire , CT : Graphics Press. Tufte, E. R. (1997). Visual Explanations : Images and Quantities, Evidence and Narrative. Cheshire, CT : Graphics Press.https://repository.ifla.org/handle/20.500.14598/6709As a past president of the International Visual Literacy Association, a scholar in visual literacy research, and a professor who has been teaching visual information science since 1999, the author will present her research and teaching experience on the process of meaning construction in data visualization. Tools, software, and technology have been advancing so rapidly to allow information professionals to process and visualize data in many ways desired. Visualization techniques allow a designer to use visual presentations in such as maps, graphs, visual charts, bars along with visual elements of labels, color, line, contrast, distance, space, fonts, and size to create an appropriate visual representation, a visual hierarchy, and a visual highway through data. In this digital data age, the users are the center of data visualization to meet their information needs. This research and presentation will address and share with the library and information professionals the importance and process of meaning construction in data visualization. It is a critical study to analyze how meaning is construction in data visualization to provide insights for the information profession in data visualization for design purposes to understand the users better and serve them well in the global digital data age.enAttribution 4.0 Internationalhttps://creativecommons.org/licenses/by/4.0/Meaning Construction in Data VisualizationArticlehttps://2019.ifla.org/conference-programme/satellite-meetings/open accessMeaningvisual literacydata visualization