Winka, Liselotte2025-09-242025-09-242017Brandelius, Catti, Miss Universum: samlade texter och bilder 1997-2005 (Stockholm; Ordfront, 2005) Callenbach, Ernest, ”Schmeerguntz”, Film Quarterly, (Vol. 19, No. 4, Summer 1966) Elwes, Catherine, Video Art: A Guided Tour (London: Tauris, 2005) Gemzöe, Lena, Feminism (Stockholm: Bilda, 2015, 2 ed.) Horsfield, Kate & Hilderbrand, Lucas (ed.), Feedback: the Video Data Bank Catalog of Video Art and Artist Interviews (Philadelphia: Temple University Press, 2006) Liljefors, Max, Videokonsten: en introduktion (Lund: Studentlitteratur, 2005) Nyström, Anna et al. (ed), Konstfeminism: strategier och effekter i Sverige från 1970-talet till idag (Stockholm: Atlas, 2005) Pettersson, Gunnel & Wrange, Måns, “Videokonst i Sverige: från alternativ till institution”, In: Söderbergh Widding, Astrid (ed.), Konst som rörlig bild: från Diagonalsymfonin till Whiteout (Stockholm: Langenskiöld, 2006) Pobric, Pac, ”True confessions of a video art pioneer”, The Art Newspaper, (Dec. 6, 2013) Sundholm, John (ed.), Gunvor Nelson: still moving: i ljud och bild, (Karlstad: Karlstad University, 2002)https://repository.ifla.org/handle/20.500.14598/6145This paper discusses the influence of feminism on three video works from the 1960s and 1970s in the USA and one in Sweden during the 1990s. For women artists one of the main issues was to be able to describe their own reality and to document it. New subjects and themes were explored in art. Humour and irony were often used in the struggle for women's rights, female representation and a critique of academy and society.enAttribution 4.0 Internationalhttps://creativecommons.org/licenses/by/4.0/Articlehttp://2017.ifla.org/open accessFeminismVideo ArtThe United States of America (1960s & 1970s)Sweden (1990s)