Transforming the Vietnam War: Artists’ reuse of published images and the destabilization of interpretation (1960-1972)

dc.audienceAudience::Art Libraries Section
dc.audienceAudience::Social Science Libraries Section
dc.conference.sessionTypeArt Libraries with Social Science Libraries
dc.conference.venueCentennial Hall
dc.congressWLICIFLA WLIC 2017 - Wrocław, Poland
dc.contributor.authorLucker, Amy E.
dc.date.accessioned2025-09-24T08:48:03Z
dc.date.available2025-09-24T08:48:03Z
dc.date.issued2017
dc.description.abstractThis paper is excerpted from the Introduction chapter of the author’s doctoral dissertation currently in process. The dissertation examines artworks produced by a trio of visual artists in the period roughly from the early 1960’s through the mid 1970’s who chose to draw on images created by photojournalists and television reporters chronicling the American Vietnam War. By appropriating mainstream images and changing only the context in which they appeared, these artists were making statements that likely would have been clear to anyone who encountered the works, and would have raised questions, at the very least, about what the editors who originally published these images meant to communicate about the Vietnam War.en
dc.identifier.relatedurlhttp://2017.ifla.org/
dc.identifier.urihttps://repository.ifla.org/handle/20.500.14598/5993
dc.language.isoeng
dc.rightsAttribution 4.0 International
dc.rights.accessRightsopen access
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subject.keywordAmerican Vietnam War
dc.subject.keywordRosler
dc.subject.keywordMartha
dc.subject.keywordKienholz
dc.subject.keywordEdward
dc.subject.keywordHeinecken
dc.subject.keywordRobert
dc.titleTransforming the Vietnam War: Artists’ reuse of published images and the destabilization of interpretation (1960-1972)en
dc.typeArticle
ifla.UnitSection:Art Libraries Section
ifla.UnitSection::Social Science Libraries Section
ifla.oPubIdhttps://library.ifla.org/id/eprint/1676/

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