Using library events, exhibitions and technology to inspire your art library visitors

Loading...
Thumbnail Image

Date

Journal Title

Journal ISSN

Volume Title

Publisher

Abstract

The Museum of Islamic Art (MIA) Library is using events, technology, and exhibitions to attract and influence patrons. MIA Library opened its doors six years ago to a society with a limited background in libraries, and no clear definition of Islamic Art, which meant a moderate number of visitors. Currently, the Library has an average of 2000-3000 visitors per month, including school students who participate in Library programs; Tourists visit to inquire about art and culture; Private Collectors, Curators; educators, academics, and artists who conduct research into Islamic Art and find inspiration from Islamic art books. The MIA Library and its patrons have a mutually symbiotic relationship that influences each other to continually answer the community’s needs. A museum library's main role is to serve the museum staff, but it has a vital role toward the public (Benedetti, 2007). MIA Library takes responsibility for developing events and investing its resources to fulfil needs of the Qatari community. The Library runs an average of eight events per month that are originated by the library staff or initiated by the visitors. Further, the implementation of technology is essential to provide and enhance access to library resources to answer the needs of the patrons. Technology is used to market events via Social Media and their website; provide support for research via the OPAC and electronic resources, and digitization of important rare books and manuscripts. This paper includes an introduction to the MIA library and its context. It presents relevant literature around the subject of art museum libraries. It also illustrates the use of events, exhibitions and technology in relation to resources versus results. Finally, there is discussion and analysis to support future strategic planning for MIA Library.

Description

Keywords

Citation

Beals, J. B. "Student Art in the Library Juried Exhibitions Programs." Art Documentation: Bulletin of the Art Libraries Society of North America, January 26, 2007, 56-58. Benedetti, Joan M., Michael Brand, and Ann B. Abid. Art Museum Libraries and Librarianship. Lanham, MD: Scarecrow Press, 2007. 49-53 Berenbak, Adam, Cate, O'Gara, Genya, Claire, Cullinan, Danica, Dodson, Judy Allen, Walters, Emily, Brown, and Kathy. "Special Collections Engagement, SPEC Kit 317 (August 2010)." Association of Research Libraries Digital Publications. August 01, 2010. Accessed May 28, 2018. http://publications.arl.org/Special-Collections-Engagement-SPEC-Kit-317. Chekhab-Abudaya, Mounia. Qajar Women: Images of Women in 19th-Century Iran. 2017. Silvana Editoriale. Davies, C. "The 10 Most Powerful Women in Contemporary Art." Sleek Mag. September 29, 2016. Accessed May 28, 2018. http://www.sleek-mag.com/2016/09/29/powerful-women-art/. Elaina, N. "Usability Testing for Library Websites." Google. 2002. Accessed May 28, 2018. https://books.google.com.qa/books?id=gmrE4wMu76gC&lpg=PP1&dq=library website&pg=PP1#v=onepage&q=library website&f=t Koot, Geert-Jan. "From Research Library to Research Services: Stories of Change at the Rijksmuseum." Art Libraries Journal 43, no. 01 (2017): 2-8. Lo, Patrick. "Links between Libraries and Museums: A Case Study of Library-Museum Collaboration at the Hong Kong Maritime Museum." JLIS.it. Accessed May 28, 2018. https://www.jlis.it/article/view/8916. Oliver, Mēgan. "Programming Special Collections: A Case Study of John Ringling’s Personal Art Library." Art Documentation: Journal of the Art Libraries Society of North America 35, no. 1 (Spring 2016): 164-71. "Pillars of Qatar National Vision 2030." Qatar National Vision 2030. Accessed May 28, 2018. https://www.mdps.gov.qa/en/qnv/pages/default.aspx.